Athi-Patra
Ruga

Athi-Patra Ruga
Exhibition view - A Land without a People ... for a People without a Land at Galerie in situ-Fabienne Leclerc, Paris , 2015
Unique artwork
© Rebecca Fanuele
Courtesy : Galerie in situ - Fabienne Leclerc, Paris

Athi-Patra Ruga
Exhibition view - A Land without a People ... for a People without a Land at Galerie in situ-Fabienne Leclerc, Paris , 2015

Athi-Patra Ruga
Exhibition view - A Land without a People ... for a People without a Land at Galerie in situ-Fabienne Leclerc, Paris , 2015

Athi-Patra Ruga
Exhibition view - A Land without a People ... for a People without a Land at Galerie in situ-Fabienne Leclerc, Paris , 2015

Athi-Patra Ruga
Exhibition view - A Land without a People ... for a People without a Land at Galerie in situ-Fabienne Leclerc, Paris , 2015

Athi-Patra Ruga
The Declaration as Reciprocity , 2015
Wool & thread on tapestry canvas
120 x 196 cm
Unique artwork

Athi-Patra Ruga
The Votive procession [ To Exile ], 2015
Wool & thread on tapestry canvas
195 x 194 cm
Unique artwork

Athi-Patra Ruga
The glamouring of the Versatile Ivy, 2015
Tapestry Wool on canvas
216 x 224 cm
Unique artwork

Athi-Patra Ruga
Statecraft - Invitation to Exile , 2015
Wood and thread on tapestry canvas
222 x 188 cm
Unique artwork

Athi-Patra Ruga
Portrait, 2015
Unique artwork
© Gary van Wyk / 21 Icons

Athi-Patra Ruga
... A Vigil for Mayibuye (from the Exile series), 2015
Inkjet print on photorag baryta
150 x 190 cm
Edition of 10 ex + 2 AP

Athi-Patra Ruga
Untitled I, 2015
Inkjet print on photorag baryta
150 x 190 cm
Edition of 10 ex + 2 AP

Athi-Patra Ruga
Untitled II, 2015
Inkjet print on photorag baryta
150 x 190 cm
Edition of 10 ex + 2 AP

Athi-Patra Ruga
Public service announcement, 2014
hd video
15 mn
Edition of 5 ex + 2 AP
© Geof Teague

Athi-Patra Ruga
Public service announcement, 2014

Athi-Patra Ruga
Public service announcement, 2014

Athi-Patra Ruga
Public service announcement, 2014

Athi-Patra Ruga
Nor Robben Island, Nor Styx, 2014
Wool & thread on tapestry canvas
171 x 205 cm
Unique artwork
© Rebecca Fanuele
l'artiste, Whatiftheworld & Galerie In Situ - fabienne leclerc, paris

Athi-Patra Ruga
The Elder of Azania / Performance view @ Public Intimacy, (Yerba Buena Center for the Arts), SF MOMA, 2014
Unique artwork
© Katherine den Tiel
L 'artiste & galerie in situ - Fabienne Leclerc, Paris

Athi-Patra Ruga
The Elder of Azania / Performance view @ Public Intimacy, (Yerba Buena Center for the Arts), SF MOMA, 2014

Athi-Patra Ruga
The Elder of Azania / Performance view @ Public Intimacy, (Yerba Buena Center for the Arts), SF MOMA, 2014

Athi-Patra Ruga
The Elder of Azania / Performance view @ Public Intimacy, (Yerba Buena Center for the Arts), SF MOMA, 2014

Athi-Patra Ruga
The Elder of Azania / Performance view @ Public Intimacy, (Yerba Buena Center for the Arts), SF MOMA, 2014

Athi-Patra Ruga
The Elder of Azania / Performance view @ Public Intimacy, (Yerba Buena Center for the Arts), SF MOMA, 2014

Athi-Patra Ruga
Drones at High Noon Circa 2015 , 2014
Wool & thread on tapestry canvas
220 x 192 cm
Unique artwork
© Athi-Patra Ruga
l'artiste, Whatiftheworld & Galerie In Situ - fabienne leclerc, paris

Athi-Patra Ruga
Unozuko, 2013
Wool, thread and articial flowers on tapestry canvas
195 x 180 cm
Unique artwork
© Athi-Patra Ruga
l'artiste, Whatiftheworld & Galerie In Situ - fabienne leclerc, paris

Athi-Patra Ruga
Performance view - The Future White Women of Azania : The Trial, 2013
Biennale di Venezia
Unique artwork
© Giovanna Zen

Athi-Patra Ruga
Performance view - The Future White Women of Azania : The Trial, 2013

Athi-Patra Ruga
Performance view - The Future White Women of Azania : The Trial, 2013

Athi-Patra Ruga
The Night of the Long Knives #02, 2013
inkjet print
157 x 202 cm
Edition of 5 ex + 2 AP

Athi-Patra Ruga
The Night of the Long Knives #03, 2013
Inkjet print
157 x 202 cm
Edition of 5 ex + 2 AP

Athi-Patra Ruga
Uzukile the elder, 2013
Wool thread, artificial flowers & spray paint on tapestry canvas
200 x 190 cm
Unique artwork

Athi-Patra Ruga
Miss Azania, 2013
Wool, thread and artificial flowers on canvas
200 x 180 cm
Unique artwork

Athi-Patra Ruga
The lord is on the hoof, 2013
Wool, thread and artificial flowers on tapestry canvas
190 x 180 cm
Unique artwork

Athi-Patra Ruga
The Phoenix is a chicken, 2013
Wool, thread and artificial flowers on canvas
Unique artwork

Athi-Patra Ruga
The lands of Azania, 2013
Wool, thread and artificial flowers on canvas
200 x 180 cm
Unique artwork

Athi-Patra Ruga
The Purge, 2013
HD Video
2'28''
Edition of 5 ex + 2 AP
© Films4Peace Puma

Athi-Patra Ruga
Convention... Procession... Elevation, 2013
Wool & thread on tapestry canvas
175 x 300 cm
Unique artwork

Athi-Patra Ruga
The Future White Woman of Azania #2, 2012
Lightjet print
80 x 120 cm
Edition of 5 ex + 3 AP

Athi-Patra Ruga
The Future White Woman of Azania, 2012
Lightjet print
60,8 x 90,7 cm ( 64 x 94 cm framed framed )
Edition of 5 ex + 2 AP

Athi-Patra Ruga
Performance view - Ilulwane, NYC, Performa, 2011
Unique artwork

Athi-Patra Ruga
Performance view - Ilulwane, NYC, Performa, 2011

Athi-Patra Ruga
Performance view - Ilulwane, NYC, Performa, 2011

Athi-Patra Ruga
Illuwane #1, 2012
inkjet print
119 x 143 cm
Edition of 3 ex + 2 AP

Athi-Patra Ruga
Illuwane #3, 2012
inkjet print
119 x 143 cm
Edition of 3 ex + 2 AP

Athi-Patra Ruga
Death of Beirut #1, 2009
Lightjet print
74 x 107 cm
Edition of 5 ex + 2 AP

Athi-Patra Ruga
After he left, 2008
11'09''
Edition of 5 ex + 2 AP

Athi-Patra Ruga
The body in question IV La mama morta, 2008
Video HD
3'55''
Edition of 5 ex + 2 AP

Athi-Patra Ruga
Miss Congo, 2007
Video HD
4'44''
Edition of 5 ex + 2 AP

1/34

Born in Umtata, South Africa in 1984 and lives and works in both Johannesburg and Cape Town.

Exploring the border-zones between fashion, performance and contemporary art, Athi-Patra Ruga makes work that exposes and subverts the body in relation to structure, ideology and politics. Bursting with eclectic multicultural references, carnal sensuality and a dislocated undercurrent of humor, his performances, videos, costumes and photographic images create a world where cultural identity is no longer determined by geographical origins, ancestry or biological disposition, but is increasingly becoming a hybrid construct. A Utopian counter-proposal to the sad dogma of the division between mind and body, sensuality and intelligence, pop culture, craft and fine art, his works expresses the eroticism of knowledge and reconciles the dream with experience.

Recent exhibitions include: Under a Tinsel Sun the main exhibition of the III Moscow International Biennale For Young Art; Making Way, in collaboration with Mikhael Subotzky at the National Arts Festival in Grahamstown, South Africa; Ilulwane, a solo performance at PERFORMA11 (NY) ;Imaginary Fact, 55th La Biennale di Venezia,South African Pavillion Venice [ Italy ] ; Beauty and Pleasure in Contemporary South African Art at the Stenersen Museum in Oslo, Norway; the Guangzhou Triennale in China; Ampersand at the Daimler Collection (Berlin); A Life Less Ordinary - Performance and Display in South African Art, (UK); For Those Who Live in It - Pop culture Politics and Strong Voices, MU (Holland); The Elder of Azania , YBCA/SFMOMA [San Francisco] and Dak?Art - Biennale of African Contemporary Art (Dakar).

"You should think of myth as a process, as a verb 'to myth', then you understand the function of it much better. [That is myth's] underlying function is to help us think about what human existence is like. But instead of closing meaning off, they push you and point you in different directions." Prof Mary Beard

Athi-Patra Ruga is one of a handful of artists, working in South Africa today, who has adopted the tropes of myth as a contemporary response to the post-apartheid era. Ruga has always worked with creating alternative identities that sublimate marginalized experience into something strangely identifiable.
Amoungst many notable creations to date has been the ambivalently gendered Beiruth, whose name, with its middle-eastern associations, evoked ideas related to Edward Said's Orientalism and the Illuwane, again an ambivalent sexual entity rooted in Xhosa Mythology. But Ruga is now bringing a new set of mythical characters a little closer to home. In The Future White Women of Azania he is turning his attention to an idea intimately linked to the apartheid era's fiction of Azania 'a Southern African decolonialised arcadia. It is a myth that perhaps seems almost less attainable now than when the Pan Africanist Congress (PAC) appropriated the name in 1965 as the signifier of an ideal future South Africa' then at least was a time to dream more optimistically largely because the idea seemed so infinitely remote.
But Ruga, in his imaginings of Azania, has stuck closer to the original myth, situating it in Eastern Africa as the Roman, Pliny the Elder, did in the first written record of the name. Here Ruga in his map The Lands of Azania (2014-2094) has created lands suggestive of sin, of decadence and current politics. Countries named Palestine, Sodom, Kuntistan, Zwartheid and Nunubia are lands that reference pre-colonial, colonial and biblical regions with all their negative and politically disquieting associations. However, in what seems like something of a response to the 'politically' embroidered maps of the Italian artist Alighiero e Boetti, Ruga infers that the politicization of words are in a sense prior to the constructed ideology of the nation state. What is more Azania is a region of tropical chromatic colours, which is populated with characters whose identities are in a state of transformation. At the centre of the panoply of these figures stands The Future White Woman whose racial metamorphosis, amongst a cocoon of multi-coloured balloons, suggests something disturbing, something that questions the processes of a problematic cultural assimilation. And it is here that the veracity of the myth of a future arcadia is being disputed if not entirely rejected. To be sure, unlike Barthes's suggestion in his essay 'Myth Today', Ruga is not creating myth in an act that depoliticizes, simplifying form in order to perpetuate the idea of an erroneous future 'good society'. Instead, placing himself in amongst the characters in a lavish self portrait Ruga imagines himself into the space of the clown or jester (much like the Rococo painter Watteau did in his painting 'Giles'), into the space of interpreter as well as a cultural product of the forces outside of his own control.

Ruga's Azania is a world of confusing transformations whose references are Rococo and its more modern derivative Pop. But whatever future this myth is foreshadowing, with its wealth, its tropical backdrop, its complicated and confusing identities, it is not a place of peaceful harmony - or at least not one that is easily recognizable. As Ruga adumbrated at a recent studio visit, his generation's artistic approach of creating myths or alternative realities is in some ways an attempt to situate the traumas of the last 200 years in a place of detachment. That is to say at a farsighted distance where their wounds can be contemplated outside of the usual personalized grief and subjective defensiveness.

Solo exhibitions

2016
Bass Museum, Miami Beach, USA
Kunstraum Innsbruck, Austria

2015
A People without a Land... for a Land without a People, Galerie In Situ - Fabienne Leclerc, Paris, France
The Eleder of Azania, Grahamstown National Arts Festival, Grahamstwon, South-Africa
The Elder of Azania, Théâtre national de Chaillot, Paris, France
The Elder of Azania, the Johannesburg Pavilion, 56th La Biennale di Venezia, Venice, Italy

2013
The Future White Women of Azania Saga - WHATIFTHEWORLD, Cape Town, South Africa

2012
Ilulwane, solo presentation at Long Street Baths, Cape Town, South Africa

2011
Ilulwane, solo presentation at Performa 11, New York City, New York

2010
Athi-Patra Ruga - The Works, Solo Exhibition FRED Gallery, London, England

2009
Mister Floating Signifier and the Deadboyz, Solo Exhibition, Whatiftheworld / Gallery, Cape Town, South Africa
After He Left, Solo Exhibition, YOUNG BLACKMAN, Cape Town,  South Africa

Group exhibitions

2017
Art/Afrique, Le nouvel atelier, Fondation Louis Vuitton, Paris, France
Tous, des sang-mêlés, MAC VAL, France
En toute modestie - Archipel Dirosa, Musée Internation des Arts Modestes (MIAM), Sète, France
En marge, Galerie In Situ - Fabienne Lecerlc, Paris, France

2016     
An Age of Our Own Making, Holbaek, Denmark
Women’s Work, IZIKO South African National Gallery, Cape Town,  South Africa

2015     
Joburg Art Fair - WHATIFTHEWORLD, Sandton Convention Centre, Johannesburg, South Africa
The Film Will Always Be You: South African Artists on Screen, Tate Modern, London, England
AFRICA: Architecture, Culture and Identity, Louisiana Museum of Modern Art, Louisiana, USA
Lumières d’Afriques, Theatre National De Chaillot, Paris, France
Foreign Bodies - WHATIFTHEWORLD, Cape Town, South Africa
Queer Threads, Leslie & Lohman Museum of Gay and Lesbian Art, New York, USA
Making Africa: A Continent of Contemporary Design, Guggenheim Bilbao, Spain
Studio: The Lives and Works of South African Artists, IZIKO South African National Gallery, Cape Town, South Africa
Odyssées Africaines, commissaire Marie-Ann Yemsi, Brass, centre culturel de Forest, Belgique

2014
Public Intimacy : art and other ordinary acts in South Africa, SFMOMA, San Francisco, USA

2013
Films for Peace, Screened Worldwide including South Africa, Paris, London, New York, Sydney
Sharp Sharp Johanesburg, Gaite Lyrique, Paris
The Beautyful Ones, Galerie Nolan Judin, Berlin Imaginary Fact, 55th La Biennale di Venezia, South African Pavillion Venice
Between the Lines, Braunschweig University of Art, Berlin, Germany
Making Way: Contemporary Art from South Africa and China, Standard Bank Gallery, Johannesburg, South Africa
Between the Lines, Braunschweig University of Art, Berlin, Germany

2012
A SHOT IN THE ARSE, The Michaelis Gallery, Cape Town, South Africa
Under a Tinsel Sun, The III Moscow International Biennale For Young Art, Moscow, Russia
Making Way, in collaboration with Mikhael Subotzky, National Arts Festival, Grahamstown, South Africa
Neither Man Nor Stone, IZIKO South African National Gallery, Cape Town, South Africa

2011
BECOMING: Photographs from the Wedge Collection, Nasher Museum of Art, North Carolina, USA
Solo Presentation at VOLTA New York City, New York, USA
A Tribute to Photography, Primo Marella Gallery, Milan, Italy
Living as Form Exhibition, New York, USA

2010
From Pierneef to Gugulective, South African National Gallery, Cape Town, South Africa
For Those Who Live in It - Pop culture Politics and Strong Voices, MU Foundation, Eindhoven, The Netherlands
DADA South?, South African National Gallery, Cape Town X HOMES, Performance Art Series, Johannesburg, South Africa
The Body In Question IV: La Momma Morta, Solo Exhibition, YOUNG BLACKMAN, Cape Town, South Africa
Africa, Assume Art Position!, Primo Marella Gallery, Milan, Italy

2009
A Life Less Ordinary; Performance and Display in South African Art, Djanogly Art Gallery, Nottingham, United Kingdom
Beauty and Pleasure in Contemporary South African Art, Stenersen Museet, Oslo, Norway Infecting the City, Cape Town CBD, South Africa
Spot on Dak’Art - 2008 Retrospective, IFA Gallery, Berlin, Germany
Pret a Partager (More than the sum of its parts), IFA Gallery, Stuttgart, Germany
Big Wednesday, Whatiftheworld Gallery, Cape Town, South Africa

2008
Peripheral Vision and Collective Body, Museum of Modern and Contemporary Art, Bolzano, Italy
Big Wednesday, Whatiftheworld / Gallery, Cape Town, South Africa…of bugchasers and watusi faghags, Solo Exhibition, Art Extra, Johannesburg, South Africa
Disguise: The art of attracting and deflecting attention, Michael Stevenson Gallery, Cape Town, South Africa
Upstairs/Downstairs, Association of Visual Arts, Cape Town, South Africa The Trickster, Art Extra, Johannesburg, South Africa

2007
Impossible Monsters, Art Extra, Johannesburg, South Africa
Miss Congo, Performance in collaboration with Christopher Martin, Confluence 4.2, Design
Indaba 10 “She is dancing in the Rain with her hand in the toaster”, Performance in collaboration with Christopher Martin, Michael Stevenson Contemporary, Cape Town, South Africa
Inj’ibhabha Series, Jaundiced Arcadia / Tales of Counterpenetration, Progr zentrum fur kulturproduction, Bern, Switzerland

2006
Doc. no3, Die Naai Masjien - Miss Congo, Kinshasa, Democratic Republic of Congo

2005
Doc. no2, Die Naai Masjien- The Revenge of the 9ft Ma-Benz and her Toothless Taxi Kings, Elle New Talent Awards / South African Fashion Week

2004
Doc. no1, Die Naai Masjien - Familie Fortuin, Elle New Talent Awards / South African Fashion Week


Residencies

2007
A.I.R., PROGR- Zentrum fur Kulturproduction. Bern, Switzerland. Kin Be Jozi, August House, Johannesburg, South Africa

2006
Scenographies Urbaines, Lingwala, Kinshasa, Democratic Republic of Congo

  • The future white woman of Azania
    The future white woman of Azania

    WHATIFTHEWORLD GALLERY,